Exploring modes of authorship in contemporary theatre, this book seeks to transcend the heritage of binaries from the twentieth century, such as: text-based vs. devised theatre, East vs. West, theatre vs. performance - with reference to genealogies through which these categories have been constructed in the English-speaking world.
Based on substantial original research, Theatre-Making is innovative in that it brings together text-based and performance-based theatre, and offers their consideration with reference to different cultures (European and Anglo-American).
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